Tag: connection

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place

Mary Elyn Bahlert

So much poetry, so many beautiful views, graves of the beloveds at which to stand, roads that are familiar and dear: this is my place.

When I was in my twenties and I lived for a couple of years in Green Bay, Wisconsin, I often drove 100 or so miles north along the shore of Green Bay to Sturgeon Bay, and further, into the part of Door County I knew so well from the time I was a child. I can remember the drive north from Milwaukee as a child with my dad driving, as I lay in the back seat of the ’49 Chevy, sick with the beginning of the measles. I remember the stand of trees north of Jacksonport, on our way to Baileys Harbor, on our way to Sister Bay, on our way to Ellison Bay and Gills Rock.

I remember the faces and even the voices of the beloved family I would see in Door County. I remember Irene, with her giant hugs and never-ending chatter. I remember standing in a cherry orchard, carefully picking the sour cherries, while Daddy – standing by – filled a bucket in a few minutes. I remember exactly where the gas station is in Sister Bay – on the Green Bay side – and where Bunda’s Store – now another department store fills its space – stood across the street from the Sister Bay Bowl.

I know the names of taverns along the peninsula, too, along with memories of stories I’d been told as a child.

Although Door County has now become an “it” place, its two lane roads often lined bumper to bumper with folks from Chicago who’ve “discovered” the Door, I say I know the “old” places, the quiet places to go. And when I’m in Door County, I take the quiet roads to the quiet places.

Folks talk about a sense of place. Door County satisfies that sense of place for me. In my life, I’ve been privileged to travel to foreign places and I’ve been privileged to take many roads across the United States, beautiful places, all. But in my heart, in my memory, in my blood – it seems – I return always to Door County. At some moment in time, I promised myself that no matter how far away I might go in life, I would return to my place. I’ve kept that promise.

Each place I see again holds a memory for me, and as I stand at the graves of my beloved family – the Bahlerts were warm, gentle people – I see the faces of those who have passed. I can hear their voices. I can stand at exactly the places we stood.

When my beloved Auntie Irene was dying, I sent her a card, and included the words: “wait for me.” I wanted to see her again before she passed. And she did wait. I’d arrived in Door County later than expected after a hospitalization in Milwaukee, and I arrived, along with Jeff and my mother, in time to be at Auntie Irene’s funeral in the old, frame sanctuary of the Lutheran Church north of Baileys Harbor, to stand outside the church with many of my Bahlert cousins, to see them once again.

Several times in my life I have returned to Door County as a place to mark a change. I wrote my application to seminary in the autumn of 1981 in a rustic cabin along the shore of Lake Michigan. When I was heartbroken in earlier times, I went to Door County to heal, and in a cottage I pass along the highway to the north of Baileys Harbor – I remember as I drive past – I heard a voice call me by name.

And I am blessed, blessed by that voice, blessed by a sense of place.

I’ve lived many years in the West. I’ve lived a life I could not bring into my imagination when I was a child and a young person, trying to find my own way in life. And through all those years, I have kept my promise to myself: to return to this beloved place, as often as I am able.

Photo of sunrise over Lake Michigan, photo taken by Mary Elyn Bahlert, 10/24. From a window in Baileys Harbor, WI.

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First job

Mary Elyn Bahlert

My first job was at the Times Fine Arts Theater on Vliet Street and Hawley Road in Milwaukee. Word must have passed from one young person to another, because most of the other young people who worked at the theater were friends of mine from high school, and even earlier in my life. There was Pat R., her younger brother, Bobbie, my best friend, The Bug (who had received her name from Bobbie at some point), my cousin Mark, and a couple of other kids from the neighborhood.

I could take the 23 bus right to the front door of the theater to start my shift. I was the vendette, my friends Pat and Bug – who worked at different times – were the ticket sellers. We worked for minimum wage – I started at $ .90 – yes, that’s right – 90 cents! – and stayed at that rate for the year I worked there. And I worked no more than 15 hours each week.

My shift started with my walking down the left aisle in the dark theater to a little room off the dark hall behind the stage. There, I reached into the dark room to flick on the light switch, and I reached for a big bag of popcorn that was stored in that room. The popcorn had been popped at a sister theater, larger, with its own popcorn popping machine. I carried the big bag of popcorn back to the narrow aisle in the lobby of the theater, where I dropped the popcorn under the lights to warm. I had picked up some real butter in the back room of the theater, too, and I put that in the dispenser to warm and to melt. Then I was ready for customers.

Times Fine Arts Theater was not well-attended. Its fare was mostly “adult pictures,” although not what we would call X-rated these days. And then, the Theater showed one feature – not several in different theaters, which is common today. From time to time, I’d catch a few minutes of the movie currently running. But mostly, I stayed behind the counter where I sold popcorn and candy from a selection that was locked behind the counter until I opened it for my shift.

During the movies, I could talk and have fun with my friends who worked along with me. The usher stood at the doorway to the outer hallway, which was cold in the winter. The ticket seller had an electric heater which she had plugged in as soon as she arrived for her shift. Sometimes, crushes developed there between various couples, mostly short-lived.

I credit that job as marking the beginning of my life-long addiction to popcorn. (During COVID, popcorn-making in a pot on the stove became part of a daily lunch ritual with Jeff). I kept a small portion of popcorn behind the butter machine, and I snatched another kernel of buttered corn – real butter – from time to time. During COVID, popcorn-making in a pot on the stove became part of a daily lunch ritual with Jeff.

At the end of our shifts, we carefully counted out what we had made that night, and inventory of the candy in the glass cabinet that I opened from the back was taken. Then, I locked it up again, stuffed the remaining popcorn into the large plastic bag I’d stashed under the counter, and walked it back to the room behind the big screen.

When the shift was over, my Dad’s dark blue Chevy Bel-Air coupe showed up in front of the doors, and I was on my way home. Later, the Bug had access to one of her parents’ cars, and she’d drive me home, the two of us talking and laughing all the way.

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As we walk among the graves

Mary Elyn Bahlert

Mornings,
we walk among the graves,
up hills and down.
I read the stones, glean the stories buried there.
A child, born and died, 2 days old.
Her mother gone, too.
Beloved father and mother,
pictures frozen on the stone,
as if they look the same today.
One young man, mother’s son,
died in war,
before he lived his life.

Mornings,
I count the years of the beloveds
as we walk among the graves.
I reckon those whose lives I now outlive,
some by many years.
I drift off, recounting my own life:
who was I, then?
The time has passed away,
and so quickly.

Mornings, 
I am sad as we walk among the graves.
I look into the sky, beautiful.
I see the city in the distance,
all that life booming and moving,
all those moments of importance,
passing too –
quickly.

Mary Elyn Bahlert, 10/2020

From the beginning of COVID sheltering-in-place, in March, 2020, through the long months that followed, Jeff and I had a morning routine. We’d rise from bed at 5:30, make two dripped cups of coffee, and sit together in the living room. After a time, we’d get dressed for the day and head outside for our morning walk: St. Mary’s Cemetery, just a block away from our home, has beautiful views of San Francisco Bay from the top of the hill. Each day, we’d pass the same graves, by the same route, talking with neighbors, stopping to play with someone’s dog, greeting those who passed by – some for the first time. We made friendships on those walks, and we heard plans change as a young couple purchased their first home in another neighborhood, some friends only people who passed us with a nod and a “good morning,” never to be seen again. This poem is from the time of COVID, in 2020.

“Mornings,
I count the years of the beloveds
as we walk among the graves.
I reckon those whose lives I now outlive,
some by many years… ”

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Mr. Fischer

Mary Elyn Bahlert

November 22, 1963. I was in my 9th grade German class, Mr. Fischer at the front of the room, when his teaching was interrupted by the distinctive ringing of the public address system, the large speaker in the right hand corner of the room, almost directly across from my desk.

I don’t remember what words came drifting down to us in our desks, bolted to the floor in even rows. What I remember, as the announcement of the assassination of President John F. Kennedy as he rode in the presidential motorcade in Dallas, Texas was reported to us from the intercom, was the face of Mr. Fischer, tears streaming down his cheeks. He made no attempt to cover his face. His eyes were not looking at all of us, the young people whose various motives had brought them to be enrolled in his second-year German class. His eyes were somewhere else in their sorrow.

Now, I remember that moment in detail, the detail of his face, larger than life, in front of the desks filled with young people who would not, could not understand the enormity of what had happened to the President, and to all of us. I had seen my father cry – never my mother – and so it must not have struck me as strange to see the kind man cry.

Now, I also – in my considering that moment in our lives over the years – believe that Mr. Fischer, so many years older than all of us sitting before him – had witnessed in his own life and history such happenings in Europe. And so he was living again in his new country a repeat of history. A sordid history.

And for the first time in my life, I came to know that not everyone saw the state of the country, the state of the world, as we did. I mentioned something about the assassination to my friend Carlene, to be met with her cryptic response: “we didn’t like him.” That was jarring, but I said nothing, taking it in, and maybe seeing for the first time the great difference between Carlene and me, between our families: her father an engineer in an engineering firm, my father a union steel worker with an 8th grade education. I saw something clearly, then, in her response. I saw something clearly about her, something that would never leave me. And I understood that we were different, and that other people saw the world differently. I understood, and for the first time.

And I knew I would stand with my people.

*

Now, as the nation struggles with the sharply drawn political/ideological differences of the people, those lines are drawn more clearly than those first decades following World War II. Vietnam and what it would bring to all of us, in particular to all of us in my generation, did not hold an important place in our minds at that moment. That would come later, and the years of unrest – brought to a head in my generation – were before us.

I remember that moment, Mr. Fischer – as a teacher, always larger than life in my own memory – standing, tears on his cheeks. And always, I’m grateful to him and to the others who influenced me, who formed the shape of my youthful world, whose influence would never leave me.

*

Remembering, from the autumn time of life… photo by Mary Elyn Bahlert, 10/2024, Wales, Wisconsin

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The outfits

Mary Elyn Bahlert

There was always room for a sewing machine in our upper flat. Looking back now, I see how cramped those working class houses were, their windows covered with curtains to keep out the cold of the freezing winters in the Midwest. But there was always room for Mom’s sewing machine.

Well, it was Mom’s sewing machine until Suzie and I learned to sew. Then, if I was working on an outfit with a Simplicity or McCall’s pattern, chances are that either Mom or Suzie was working on something too, and when I stepped away from the machine to get another piece of fabric, carefully looking at the directions – I’d find a spool of thread in a color that didn’t match my material already in the machine. The sewing machine was ours – the three of us.

Like a lot of mothers over time, Mom was happy to have two daughters for her to make homemade clothes from the patterns. She must have worked many hours when we were at school and when Daddy was at work in the steel mill. And because she was happy to have two daughters, she was extra happy (I expect) to be able to make them matching outfits. To make us matching outfits – Suzie and me.

One Easter, Mom made Suzie and me matching dresses, including capes lined in pink fabric. She bought matching Easter hats – “in your Easter bonnet…” and Suzie and I were models, standing together on the front lawn of the flat, looking into the camera.

Mom made us matching outfits, that is, until I told her at some point that I didn’t want to be dressed like my little sister. Thankfully, Mom agreed – or at least understood – because I heard her tell the story to my Auntie Anne not long after. And so the days of matching outfits came to an end.

+

We are well into the 21st century now, and those days in the cramped flats – winter and summer, and fall and spring, when the fragrance of lilacs in the huge bushes in front yards that adorned the streets wafted down to walk with us – are well in the past. It’s interesting that some of the feelings remain, filtered through the grief at remembering all those who are gone now, and how they loved us, each in their own way. How their dreams still live in us.

And I’m grateful for my mother – coming from poverty and abuse – and how she crafted the best life she could for us, for us all. How she protected us, to the best of her ability, how she made a home for us, and how happy she must have been to sew Easter outfits for her two daughters.

Suzie and me, circa 1954