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Four Rules for Living, #1: Show Up

The anthropologist and spiritual teacher, Angeles Arrien is credited with these 4 rules for living:  Show up.  Pay attention.  Tell the truth.  Don’t be attached to the outcome.

Show Up

It’s easy to show up if you think it means you only have to be present in body. Yes, that’s easy. We do it all the time when we’re preoccupied with family issues at work, or when we wake up in the middle of the night thinking about a conversation we had the day before. We’re there “in body,” but we’re not really “there,” we haven’t really “shown up,” for our work or for ourselves.

Show up. Be present. Be there, now! See what’s in front of you. Feel what you feel. Show up for yourself in order to show up for others.

How do you “show up” for yourself? My first thought is that this takes work. “Showing up” means letting go of everything that isn’t working for you now. For example, how often do you react to someone else the way you reacted to your mother or father when you were 5 years old?

Are you working too hard in order to not pay attention to the nagging feeling you have about life?  Do you still live by the rules you were taught as a child, without ever questioning whether those “rules” are valid for you, for your life, for your times?  Are you drinking too much, or even every day? Are you letting your health go?  Are you too busy to connect with others?

The real work of life is to learn to let go of those things that don’t serve you now, and haven’t served you for a long time. If you’re preoccupied most of the time, then you have work to do. Maybe you need to talk to a trusted friend about what’s troubling you. Maybe you would be helped by talking to a therapist. Maybe you need to take some time alone to get back in touch with yourself and your own needs. Maybe you need to get up and move a bit!

Show up for yourself.  Breathe.  Notice your surroundings.  Notice how the light falls on the walls  of your room.  Notice how the light changes.  See what is outside your window.  Show up for this moment, show up for your surroundings.

Show up. The world needs some folks who are adults, who respond to life and its ordinary emergencies with clarity and presence. If you haven’t done the work, then our world needs you to do the work. None of us is perfect, but we all have work to do in order to “let go of childish ways,” to take on the ways of being an adult.

One of the important practices of life is to show up. I remember keenly – and with great fondness – those friends who have been there when there has been a loss in my family. I remember a good friend walking with me from my mother’s grave on the day of her burial – in the Midwest, in February – telling me that I had a wonderful family. I will not forget that my friend had shown up, nor will I forget that she shows up – again and again.

Moments like that one at my mother’s grave are the moments that remind me to show up. For me, to show up is a kind of practice, a way of being an adult, a true act of presence.

Are you showing up? Are you present when something important happens? Are you present for the important people in your life when they need you? Are you present when a transition, a turning point is being celebrated?

And, deeper:   when you show up, are you really, really there???!

 

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“Houseplants,” a poem by Mary Elyn Bahlert

IMG_0525My little friends,
yellow and brown and purple and green,
I treasure you,
my hands among your leaves,
my fingers at your roots.

My little friends,
there is so little I am good at in this world:
my children want for what they cannot have –
I have only these hands among your leaves
and a few places of sunlight in the house.

My little friends,
my eyes drop tear-less on your stalks;
I protect you from the cold in this place.
I touch you with these worthless hands
and you flourish.

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I wrote “Houseplants”  as part of a series of poems that belong to my grandmother, Feodosia.  For these poems are the story of her life, told through me over the course of a year or two in the late 1980’s.  Surely our connection to the ancestors goes deeper than we know – or than we are taught to cherish, in our culture.  The magic my Grandma – a bent-over babushka in a long black coat walking through the slush of Milwaukee’s narrow alleys – must surely have come through me, the magic of our connection told through the words I recorded.

Enjoy.

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Nothing Is More Practical

Nothing is more practical
than finding God,
that is,
falling in love in a quite
absolute and finite way.
What you are in love with,
what seizes your imagination
will affect everything.
It will decide what will get you out of bed
in the morning,
what you will do with your evenings,
how you will spend your weekends,
what you read,
who you know,
what breaks your heart
and what amazes you with joy and gratitude.
Fall in love.
Stay in love.
And it will decide everything.

Pedro Arrupe SJ,

From Finding God in All Things: A Marquette Prayer Book © 2009 Marquette University Press.
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“Time passes much too quickly, when we’re together laughing…” Chicago, “Beginnings

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When I was a girl, my father would say from time to time: “my life has gone by so quickly.” I would look at him, just little, and wonder what he meant, and how that could be. I could not relate. Some people say that time goes more slowly for the young, when all the years stretch out beyond, when growing up is something to be yearned for and in the yearning, of course, time passes slowly. But my memory is of that question or wondering that was in me when I heard my father reflect. Later, he would quote again and again, this verse: “A thousand years is but a day in the eyes of the Lord.” Apparently, my beloved dad did not stop thinking about the passage of time.

Just last evening, I was telling a new friend about some of the favorite days of my life.  Those days were on my visits to Milwaukee to see my mother, after I had moved to the Bay Area of California.  My mother lived in a small upper floor apartment on a busy street close to the center of Milwaukee, and I would stay in the cramped second bedroom, the noise of the busy thoroughfare keeping me awake nights.

Both mom and I were “Milwaukee girls.”  We had grown up in the flats that line the streets of poor and working class neighborhoods of the North Side.  Those flats are there, still.

We knew the streets, the bus lines, the parks, and we knew the sense of small town-ness that Milwaukee cherished for a long time.  We knew the particular kind of diversity of that place – the streets where Eastern European communities lived, the place where the Italians built their church, now a Cathedral to welcome the Bishop from Rome.  We knew the part of town where people from Mexico came to live among others who spoke their native language.  We knew how to navigate to new places, too, in that city laid out in a grid.  I have never understood how to find new places in new places, new cities.  How can addresses not make sense, like they do in Chicago and Milwaukee, a small Chicago?

On my visits to see Mom, before the dementia took her away from me, we set aside a day to “do Milwaukee.”  After coffee and breakfast, we backed her car out of the garage and onto the busy street.   We had no particular plan, except to explore some new places, to make our way to the Milwaukee Art Center at some point, to have lunch out, and maybe to do a bit of shopping along the way.  I loved those small adventures.  I loved the fun we had together:  “that’s the fun of it!” was one of my mother’s expressions.

On one adventure, we discovered again a small section of town filled with Ukrainian immigrants.  My mother’s first language was Ukrainian, and so we ventured into a small bakery, a store-front, and she stumbled to say a few words to the man behind the counter.  He understood, all right, and soon we found ourselves in another cramped space, the family’s living room, complete with an altar adorning a corner.  They were Ukrainian Catholics, and a candle burned in that corner, lighting up the features of the Virgin Mary, her eyes cast down, her blue gown ending at her bare feet, on a sphere covered with stars.

On another adventure, I gazed at my mother as she gazed at one of her favorite paintings in the Milwaukee Art Museum, The Wood Gatherer, by Jules Bastien-Lepage.  Later, Mom told me her wonderings about the scene that painting depicted, her own story fleshing out the art.   I still own a print of that painting.

One day at lunch we found ourselves in an old Italian neighborhood for an Italian lunch, another at a Jewish deli across from a synagogue.

As the years passed, it was harder and harder for mom to enjoy those days, until the last time we set out.  Of course, we did not know it was the last time, but something had changed.  We returned home to her apartment right after lunch.  Soon enough, I’d have to move Mom out of her apartment and into assisted living in the Bay Area, a move which she made bravely and with great trust.

I suppose some part of me thought those adventures would go on forever, that those times when we laughed and remembered and noticed would not end.  But all times end.  Now, those days are distant memories, and I continue to cherish them as some of my favorite times.

Here, I find myself years later, remembering those small adventures, remembering the tilt of Mom’s head as she laughed, remembering the narrow streets we knew so well, remembering driving her blue Tercel all over the city we loved.  I’m in the memory time for so many people I have loved, so many experiences, so many grievances that had filled my life over the years.    All of those beloved people, all of those rich days are a memory, now.

 

 

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Who we are is there, all along.

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As I enter the journey to the elder years, I seem to be myself more than ever.
In the shedding of what was not me – what was given to me by others, to shape me into who they would have me be – I become, every day, more myself.  And even though, in the living of life, I wondered if I was being true to myself, I see now that I have only come back – through the shedding of others’ image of me – to me.  To me!  To me!

I have vivid memories of being a young girl – 8 or 9 – playing alone in my first bedroom of my own.  The small bedroom was at the back of the flat, a narrow window overlooking the city backyard and the alley.  To the right of the window, adjacent, was the dark wooden door of the small closet – my own!  The narrow Jenny Lind bed – second-hand, my mother had refinished the wood to a deep cherry – was to the right of the closet, its foot at the door when I entered from the kitchen of that narrow flat.  I had room for a desk – plain wood stained to match the bed, directly ahead of the room’s entry, to the left.

I still like to play alone!  An introvert, I have often had extroverted work in my life, and I’ve had a need to rest – alone.  In my memory, I play at being a teacher, in that small, dark room. .  First of all, I make up files for each of the students in my class.  I use the names of real classmates, to be sure, and I file them in the deep filing drawer of the desk on the left.  I alphabetize the files, too.

I still do that first, in any job, in any endeavor.  I get organized, my pencils in order in the zipper case, books lined up and even.  I like to have my files in order.

Then, I stand to face the class – the full-length mirror – a luxury! – that graces the back of the door.  I teach.

I suppose I have always been a teacher.  Always.  I emulated the teachers I knew from school, imagining them, how they dressed, how they walked back and forth, how they projected their voices, to teach.  They were my models to another life, another path, a reality I did not know in that flat, but that beckoned to me, by purpose, by expectation, by education, which I would have to learn how to traverse, step by step.  Sometimes, I had role models – like those teachers in their navy and white polka-dotted dresses – and sometimes, I did not.  Sometimes, I made the path up on my own.

Though shy as a young person, it has never been difficult for me to speak to a group.  I discovered that in high school, when we were privileged to have forensic societies in my large urban school.  For me, those privileges of public education in the 1950’s and 1960’s began to shape my life.  What teacher could have imagined that shy girl, big green eyes taking in every movement, every word, challenged by new ideas, would make her life as a speaker, a preacher, a teacher of the inner life?

What did those teachers see in each one of us, some of us hungry to learn, some of us not able to speak a word out loud in class, some of us abused at home, some of us hungry – for food, and for knowing?  What did they see – and not see?

Now I see that the gifts that are mine have been mine all along.  I only had to discover them, to have the privilege – a privilege, surely – to live the gifts out in my life.  I suppose we all do.

The little girl who dreamed – and didn’t even know she was dreaming – in that little room at the back of a Milwaukee flat – is a teacher, still.  She always was…